DJI, a leading manufacturer of camera stabilization systems, has announced the Ronin 4D Flex, an extension/tether system for its flagship camera, the Ronin 4D.
The system is designed to enable the camera to shoot 8K ProRes RAW, a codec previously unavailable on the Ronin 4D due to patent limitations imposed by RED Digital Cinema.
The Ronin 4D Flex features a Zenmuse X9 gimbal camera that can be separated from the main body, reducing the weight and size of the handheld camera and enabling more flexible camera movements.
The system is also compatible with various rigs, allowing professionals to shoot footage that was previously difficult or even impossible to achieve, such as cinema-quality through-shots and dynamic camera interiors.
According to DJI, the Ronin 4D Flex also allows the Zenmuse X9 gimbal camera to be used as an ultra-small cinematic-grade remote head.
Connecting the Flex to the main body is a 2m ultra-thin coaxial cable that supports lossless transmission of up to 8K. This cable connection allows for higher flexibility of camera positions and real-time control and monitoring signals.
The Ronin 4D Flex is compatible with the Ronin ecosystem of professional cinematography solutions, including cinematic imaging, 3-axis stabilization, LiDAR focusing, and professional monitoring and control. The system is also natively compatible with Ronin 4D’s Hand Grips and the Main Monitor.
The Ronin 4D Flex is available for purchase at authorized retailers and at the DJI Store for $929, which includes the Ronin 4D Flex, one Pan Axis Quick-Lock, two Ronin 4D Hand Grip Adapters, and two Hand Grip Adapter Cables.
However, in order to enable the Ronin 4D to shoot ProRes RAW, a licence key must also be purchased for $979, bringing the total cost to almost $2,000.
While the ability to shoot ProRes RAW may not be worth the added expense for some users, the Ronin 4D Flex offers other advantages, such as greater flexibility of camera movements and the ability to use heavy lenses on the system.
Despite the high cost, DJI’s innovative solution to bypass the RED Digital Cinema patent limitations is impressive and reinforces the company’s commitment to pushing the boundaries of camera stabilization technology.
In a statement, Paul Pan, Senior Product Line Manager at DJI, said, “We want to express that when it comes to what’s possible with DJI Pro, we’re only getting started.”
This suggests that DJI has more innovations in the pipeline, which could further disrupt the camera stabilization market.
In conclusion, while the cost of the Ronin 4D Flex and ProRes RAW licence may be prohibitive for some users, the system offers advanced capabilities and flexibility for professional cinematographers.
DJI’s commitment to innovation in camera stabilization technology is evident in the Ronin 4D Flex, and it will be interesting to see what the company has in store for future releases.
